selective exhibitions

..this is not intended as an exhaustive listing of exhibitions I have participated in.

The first exhibition in which I was a participant was a joint surrealist exhibition at Roen Art Gallery (a small local suburban gallery) with school friend artist Heather Robinson in 1981. My paintings were only exhibited once more in the eighties, in 1985. My works were rejected by all the commercial Melbourne galleries I approached in that decade.I then exhibited with the Contemporary Art Society of Victoria from 1992 to 1996. Since 1995 I have exhibited with Roar Studios, an artist run gallery. My first solo was at Roar in June 1999. My works were also included in the Roar stand of the 1996 Australian Contemporary Art Fair 5 (the Australian Contemporary Art Fair is now known as the Melbourne Art Fair). In the nineties, I did one better than the previous decade: I was rejected not only by all the commercial galleries I approached in Melbourne, but also by all of the commercial galleries approached in Sydney. In Australia if it's not decor, Australiana, or the faux avant garde, it will not sell!
 
 

..... when art is defined by the (art) market it is no longer art that is sold, but a commodity intended to pay for the wages, rent, overheads of the venture (gallery) in question. When the 'artist' deliberately sets out to create work that caters to market appeal, for the sole purpose it being sold, instead of expressing an idea, they are reduced to the status of artisans, not artists. Regardless of whatever talent these artisans may possess they instead create objects d'art, not art. The creation of such pseudo-art usually entails a considerable degree of self-censorship. It is 'art' that has only come about by researching what buyers want. High art has nothing to do with with what buyers want, for the prospective buyer is merely looking for a work of craft that serves merely as an adjunct to their other decor. Art created with the tastes of the prospective buyer reduces the artist to an artisan whose work contributes nothing to the sum total of human endeavour..


11 - 30 March 1994

Exhibition of paintings with the Contemporary Art Society of Victoria. City Square, Melbourne: 11-30 March 1994
(featuring paintings from 1989 -1993).The city square was demolished shortly afterwards..... not, I am assured, because my paintings were exhibited there!


Roar, June 1 - 13 1999

Photograph of the opening of the 1999 exhibition at Roar Studios. The exhibition was entitled "THE SURREAL AND FANTASTIC: the paintings and computer art of DEMETRIOS VAKRAS".

This show was, despite limited sales, a very big affair. Roar Studios was divided into two exhibition spaces. My partner Lee-Anne Raymond was also showing her works in the smaller exhibition space at Roar Studios too. There was a massive turnout for the opening with hardly enough room to move!

Roar Studios was an artist run space in Fitzroy (in Melbourne). A few months prior to the June 1999 exhibition Vali Myers had exhibited her works there (April 1999). A few years later Roar was no more (it was redeveloped for residential use).




17 February - 16 March 2000

Exhibition of paintings at the CASspace, Collins St Melbourne: 17 February 2000 - 16 March 2000
(featuring paintings & digital prints from 1996 - 1999)


2001

Four works exhibited in group show featuring emerging artists at Melbourne gallery Mansour + Hill in LaTrobe Street in Melbourne's CBD. The show ran from 31 July - 11 August 2001. Fortunately no works were sold ... Prospective buyers could have made substantial savings as the Gallery had listed three of the four paintings' prices without including the gallery commission and/or GST! I would have received around half my asking price .... meaning half of the (approx) $2.80 per hour my paintings sell for....


2002

Amalgam - duo exhibition of the works of Lee-Anne Raymond and Demetrios Vakras at Melbourne Gallery 4Cats, 9 April to 27 April 2002.



EXHIBITION at Echo Gallery Chicago USA
In October of 2002 four of my paintings travelled to Chicago, USA. In an exhibition organsied by Veronika Kotlajich of Echo Galley (Chicago) for Halloween, my works were exhibited alongside those of other artists, including Daniel Ouellette.



ehco gallery late evening... showing the Chicago skyline


Echo Gallery directors, Derek (left) Veronika (right), with Demetrios and partner Lee-Anne (centre).




exhibition in 2004

Two photomontages were exhibited in a group show at CCP before it closed down.


exhibition in 2009
HUMANIST TRANSHUMANIST
:

Much money - the most we have ever expended - was spent by myself and my co-exhibitor Lee-Anne Raymond to make this show a success, including publishing a fully illustrated catalogue (the catalogue can be purchased here).

The exhibition was of never-before exhibited works by myself and Lee-Anne Raymond. Essays which are featured in the catalogue were pinned alongside our artwork in the exhibition.

Below: a photograph of some of the works exhibited at the June-July exhibition in 2009.

In some of my essays explaining the substance of the works, I juxtapose quotes from both the Old and New Testaments alongside quotes from Hitler's Mein Kampf. Hitler's racial exterminations were based on the Bible. (An assessment of Hitler's Christianity)

Other essays quoted from the Koran, particularly 9.38-52, in which the god of Islam, "Allah", guarantees automatic "martyrdom" to those who are killed while in the act of killing non-Muslims.

The owner of the space, Cripps, posted disclaimers in the exhibition as well as a "WARNING", claiming that quoting the Koran is insensitive to "Palestine". He asserted that Jews are the cause of violence and that quotes from the Koran would lead people to view Jews as victims.

above: one of Cripps' many disclaimers (circled)
The consequences of this exhibition were disasterous. A subsequent court case brought by the owner against me and Lee-Anne Raymond resulted in the loss of my studio - and the discrediting of the Australian judicial system.

On appeal the gallery owner was ordered to return moneys we had been forced to pay him. He declared bankruptcy. I still have no studio (2024). Most of my art is now digital Digitalsurrealism.com

The above brief summary of this exhibition is expanded in greater detail here.

exhibition in 2023

Two framed prints, photomontages, were exhibited in a group show at CCP (which has re-located).


exhibition in 2024

Exhibition titled The Riddle of the Sphinx held at SOL Gallery in Brunswick (inner Melbourne)

5 framed giclee prints were exhibited of my works completed in 2023


(the old version of this page is archived)

© copyright Demetrios Vakras